There’s a decades-old argument about which brand of American muscle actually deserves bragging rights, and at a test track outside Las Vegas, you can settle it with a stopwatch instead of an opinion. This roundup covers the Richard Petty Driving Experience’s American Muscle Car Challenge alongside a 145-car Barrett-Jackson consignment, a packed holiday cruise-in, and a widow’s tribute to her car-loving husband.
The Richard Petty Driving Experience’s American Muscle Car Challenge invites thrill seekers to get behind the wheel of iconic muscle cars to drive around the famed Las Vegas Motor Speedway at speeds up to 140 mph.
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Collector consigns 145 vehicles for Barrett-Jackson in Scottsdale
A wide-ranging group of 145 cars from the Charlie Thomas collection will be sold at no reserve during Barrett-Jackson’s flagship auction, January 14-22 at WestWorld in Scottsdale, Arizona.

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Holiday time Ladson muscle car cruise-in turns out regulars, impulse show-goers
Kevin Harrell lifted his daughter Christina, 2, from the back seat of his polished auto classic that turned 59 the year she was born.

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Collector’s favorites were marbles, muscle cars
Elinore McMahan would have celebrated her wedding anniversary on Friday with her husband, David, a man she said could fix just about anything.
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There is a very specific kind of argument that has been running in driveways, bars, and comment sections for decades — Mopar versus Blue Oval versus Bowtie, the three-way muscle car rivalry that never actually gets settled with words. What if you could settle it with a stopwatch instead? At a test track outside Las Vegas, thrill-seekers do exactly that, strapping into a trio of modern muscle icons and measuring the results in cold, hard data rather than bar-stool opinion. Layered underneath that experience in this roundup are stories that stretch the definition of “muscle car culture” even further — a 145-car collection headed to auction, a holiday cruise-in that pulled in far more than the regulars, and a grieving family whose most treasured keepsakes were marbles and a garage full of iron. What ties a data-driven track challenge to a widow’s marble collection? Only the same obsession, expressed in wildly different ways.
Settling the Muscle Car Debate With a Stopwatch
The American Muscle Car Challenge runs guests through four measured segments at the Las Vegas Motor Speedway test track — a standing-start acceleration run, a braking test measuring stopping distance from 60 mph, a cornering module that captures lateral g-force, and a top-speed run over a set distance. After a practice lap to learn each car, drivers get one timed run apiece behind the wheel of a Dodge Challenger SRT8 392, a Ford Mustang Shelby GT500, and a Chevrolet Camaro ZL1, with most guests topping out somewhere between 140 and 145 mph depending on skill.
A Different Kind of Muscle Car Story
The rest of this roundup pulls from a very different corner of the same hobby. A 145-car collection assembled by collector Charlie Thomas was headed to Barrett-Jackson's no-reserve Scottsdale auction, a South Carolina holiday cruise-in drew far more regulars and curious onlookers than organizers expected, and one widow's fondest keepsakes after her husband's passing turned out to be a jar of marbles sitting next to a garage full of cars he could fix himself. None of it involves a stopwatch, but it is the same obsession showing up in a quieter register.
Why These Three Cars Made the Cut
The Richard Petty Driving Experience didn’t pick the Challenger SRT8 392, the Shelby GT500, and the Camaro ZL1 at random for its stopwatch-based lineup. Each represents a different philosophy of what a modern muscle car should be: the Challenger leans on displacement and old-school Hemi thunder, the Shelby GT500 pairs a supercharged V8 with track-tuned suspension aimed squarely at road-course lap times, and the ZL1 sits at the sharp end of GM’s factory-supercharged performance lineup, built to hang with cars costing twice as much. Running all three back to back on the same test track, with the same driver and the same conditions, turns an argument that usually plays out in comment sections into something closer to a controlled experiment. Nobody walks away from that lineup with a completely settled opinion, but they walk away with actual numbers instead of just an opinion.
Scottsdale’s Auction Week Rhythm
Barrett-Jackson’s Scottsdale sale isn’t just one auction, it’s a full week that has become the unofficial kickoff to the collector car calendar every January. WestWorld fills with rows of consignments running from six-figure Hemi cars down to weekend cruisers, all crossing the same block with no reserve on many lots, which is exactly what put the 145-car Charlie Thomas collection in front of bidders rather than quietly changing hands in a private sale. That no-reserve format is part of what makes Scottsdale different from a typical dealer auction — sellers accept the risk that a car might go for less than expected, and buyers get the chance that keeps them coming back year after year, hunting for the one lot nobody else noticed.
The Cruise-In That Almost Wasn’t
Holiday-season cruise-ins live and die on turnout, and the kind of crowd Kevin Harrell found in Ladson wasn’t guaranteed. Regulars show up out of habit, but a cruise-in that pulls in impulse show-goers — people who weren’t planning to stop, until a row of chrome and paint caught their eye from the road — says something about how deep muscle car culture runs in a community. A two-year-old lifted out of the back seat of a fifty-nine-year-old car isn’t a coincidence either; these events survive because they get passed down inside families as much as they get advertised.
What a Marble Jar Says About This Hobby
Not every muscle car story ends with a stopwatch or a sale price. Elinore McMahan’s tribute to her late husband David wasn’t built around what he owned, it was built around what he kept — marbles alongside a garage that held cars he’d fixed with his own hands. That kind of memory doesn’t show up in an auction catalog or a lap time, but it’s arguably the most honest version of what car culture actually is: not the machines themselves, but the people who spent decades tinkering with them, and the small, ordinary objects that end up meaning more than anything with a VIN.
What a 140 MPH Lap Actually Feels Like
Most guests arrive expecting the acceleration run to be the highlight and leave talking about the braking test instead — stepping hard on a modern muscle car’s brakes from 60 mph generates deceleration forces most street drivers never experience outside of a genuine emergency stop, and doing it deliberately, on a closed track, with an instructor coaching technique in the passenger seat, tends to reset people’s expectations about what these cars are actually capable of beyond a straight line. That combination of raw speed and controlled braking is exactly what separates a professionally run experience like this one from simply flooring a rental car on an empty road.
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